My work is an ongoing dialogue between silence and symbolism, between the personal and the universal. Rooted in autobiographical experience and feminist thought, my practice transforms everyday feminine objects—lipsticks, combs, handbags, safety pins, umbrellas—into potent visual metaphors. These seemingly ordinary items, drawn from the quiet intimacy of my childhood, become vessels for memory, resilience, and resistance. Growing up in an environment shaped by discipline, restrictions, and solitude, I developed an inward relationship with objects that surrounded me. They were witnesses to my emotions, silent companions that absorbed untold stories. Over time, they evolved in my visual language—shifting from inanimate tools of daily life into animated forms charged with meaning. A lipstick might stand for suppressed desire, a broken bangle for fractured expectations, an umbrella for shelter both literal and emotional. These forms recur as visual archetypes in my work, carrying both personal narrative and collective resonance. My artistic vocabulary blends surrealism’s psychological depth with pop art’s bold visuality. I often draw from the autobiographical intimacy of Frida Kahlo and the chromatic confidence of Henri Matisse, yet my voice remains my own—layered, symbolic, and unapologetic-ally feminine. Bright palettes, textured surfaces, and hybrid forms often lure the viewer into a playful encounter, only to reveal deeper narratives of gender, societal constraint, and emotional endurance.

Environmental consciousness is central to my process. I frequently incorporate found and discarded materials—plastic fragments, rusted metal, synthetic flowers—not merely for aesthetic interest, but to comment on consumer excess and ecological fragility. These materials are treated as archaeological layers of human life, holding within them the beauty and damage of our times. Cracked textures evoke parched earth, glossy finishes mimic the seductive sheen of consumer waste, and juxtaposed surfaces create tensions that mirror the complexities of modern living.

My work does not shout; it embeds. I prefer the language of symbols over overt political rhetoric, trusting the viewer to uncover meaning through layered suggestion. Each object is both familiar and estranged, an artifact of daily life recast as a witness to emotional, social, and environmental realities. The process of creating becomes an act of reclaiming—transforming fragments of the overlooked into icons of endurance and transformation.

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For me, art is not only a medium of expression—it is a sacred space where silence speaks, memory breathes, and the ordinary becomes extraordinary. It is my way of reclaiming stories, resisting erasure, and inviting viewers to witness the poetry that lies hidden in fragments.